HILAPS Institute: PERFORMING ARTS AND CINEMATOGRAPHY

DESIGNING THE PROGRAM OF STUDY FOR MEDIA STUDIES: PERFORMING ARTS AND CINEMATOGRAPHY

Lovers of Theatre Arts have a huge variety of careers to consider. Creative types might enjoy roles such as directing, playwriting or theatre design, while practical people are needed for jobs such as lighting technician or stage crew member.

- Actor

- Director

- Producer

- Sound Engineer

- Lights Engineer

- Make-up Artist

- Stand-up Comedian

- Theatre Manager

- Musical Artist

- Film Maker

- Video Editor

- Creative/ Script Writer

- Newspaper Journalist

- Publicity and Advertising Agent

- Photographer

- Graphic Designer

- Theartre/ Film Consultant

In performing arts you have different specialization like dance, drama, music, etc. According to your course you have core subjects.

Majoring in performing arts involves study that integrates the overlapping fields of drama, music and dance practices. Even when trainees specialize in one of the areas, they will take courses in the other performance arts disciplines as well as taking some general education courses. The performing arts diploma program may include courses in the following subject areas:

· Music performance

· Theatre history

· Dance and culture

· Musical theatre

· Dance technique

· Dramatic literature

Program Description

- 24 weeks of classroom studies, Workshops and evaluations

- 2 months internship

- 1 month of project and defense

1. WORKSHOPS FOR ACTING

Voice and Speech Development and Practice
Naturalistic Acting
Devising Performance
Lighting Operations for Live Performance
Acting for Microphone
Site-specific Performance
Acting for Camera
Development of Acting Skills
Creative Arts Workshop Leadership
Theatre Directing
Alternative Approaches to Acting
Innovative Theatre Performance Work

2. WORKSHOPS FOR DIRECTING AND SCREEN WRITING

Creating and directing a project is a difficult undertaking but one that offers great expressive satisfactions. The course is based on the understanding of the film structure, passing from the ideation of the script and from the script to the visual realization of the scenes. The study of the shots, the look of the project, the direction of the actors, and the packaging of the product, are the points on which the biennium is set. The course structure starts with the study of film units up to the narration by genres in the second year. During the two-year period, the productive, organizational, budget and technical aspects are tackled and the writing for the main cinematographic languages is studied in depth, with particular attention to short films and low budget products. The merger of the authorial aspects of writing and technical direction makes the course much more specific and offers complete training that characterizes our graduate students.

Job opportunities

The course trains students in the following roles: director, first and second assistant director, script supervisor, casting director, screenwriter, script reader, and script analyzer and editor.

Filming exercises digital and 16mm with given creative limits
Documentary portrait on digital
A final short film on 3-5mm

3. WORKSHOPS FOR SOUND ENGINEERING PROGRAM

Program Description

This introductory Sound engineering course is composed of the first two levels of the diploma in sound engineering.

The first level is an introduction to professional sound technologies and systems. This section takes a closer look at the technologies and systems of the industry; their basic functioning and connections allowing for better understanding of how sound works.

This is the basis for developing the necessary skill set and qualities in becoming a professional sound technician.

The second level goes on to take an in-depth look at the equipment and tools a professional must dominate to succeed be it in a recording studio, live performance, musical production or post-production.

This course has a strong practical focus, making up for 65% of the 120 lecture hours that the course is made up of. On completion, students have the necessary foundation to continue specializing themselves in the field of their interest

Syllabus

· Audio chain

· The physics of sound

· Transducers Microphones: how they work and their classifications.

· Music software – FRUITY LOOPS STUDIO

· Mixing consoles Segments and components of a mixing console (auxiliaries, subgroups, inputs, outputs ...etc.).

· Sound cards and home-studio designs

· Recording systems

· Digital recording

· The physics of sound

· Musical Acoustics

· Acoustics

· Audition and voice

· Synchrony and automation

· Synthesis and sampling

· The sound industry

· The recording studio

· Live performances

· Post-production and film

· Recording industry

· Samples and commercial brands.

4. WORKSHOPS FORPHOTOGRAPHY

Addressed to:

Photographers and students interested in the world of performing and musical arts, who want to learn how to carry out professional work in these areas.
Goals: Learning the photography of performing arts and musical events. Creation of a language of its own.
Contents:

Considerations on the necessary equipment.
Common problems (lighting, overcrowding, access, contracts).
Work spaces (small rooms, stadiums, large festivals).
Interaction with the environment.
Preparation and management of the agenda.
Preparation and management of a file.
Create a personal workflow
The decisive moment: shoot / edit.
How we value a photo / report. Professional outings.
Associates:The students carry out practices throughout the course:

5. WORKSHOPS FORTHEATRE STAGE MANAGEMENT

· Production processes of live shows and events

· Live Entertainment Stage Management

· Configuration and structure of the stage

· Relations with the work environment

· * Understanding Drama

· * Introduction to Technical Theatre

· * Introduction to Arts Management

· * Production Design

· * Stage Management

· * Introduction to Lighting

· * Stagecraft

· * Interactive Media and Content Development

· * Production Management

· * Theatre Production Practice

· * Venue and Front of House Management

· * Drafting for Productions

· * Electrical Fundamentals for Theatre

· * Marketing

· * Creative Concepts

· * Art of Story

· * Introduction to User Experience

· * Drawing

· * Arts History

· * Creative Enterprise

6. WORKSHOPS FORMAKE-UP ARTIST

Tools of the trade and product knowledge
Cleansing Procedures
Hygiene and safety
Skin analysis, Face shapes and skin tones.
Warming and cooling colours (the colour wheel)
Colour-Correcting and concealing
Correct application and choice of foundation
Highlighting, Shading and blushers Technics
Achieving perfect lips
Application and blending of Eye makeup (Colour Wash, Block Eye, Smokey Eye and Socket Line)
Application of Eyeliners (Liquid, Cake, Gel, Crayon and Kohl)
Eyebrow Shaping
The application of false eyelashes both individual and strip
Building your make-up kit
Consolation techniques Trial
Individual lashes
Primers and Setting sprays
Total look with a veil
Business and self-marketing